The United kingdom Civil Aviation Authority (CAA)’s #ShotOnMyDrone photography competitiveness has introduced this year’s winners, picked out from around 800 breath-having entries.
Profitable photos function the ideal birds-eye-sights of each urban as nicely as countryside United kingdom landscapes, captured using drone images.
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#ShotOnMyDrone was designed by the CAA with intentions to highlight the extraordinary photographs that drones and aerial photography can seize, as effectively as to teach persons on how drones should be used securely although discovering the UK’s attractive towns, towns, and countryside. Analysis from the CAA recently disclosed that 20% of drone customers and fifty percent of the basic public are unaware that CAA approval is necessary to fly a drone in a town or town in most cases.
Drone photographers from throughout the British isles had been invited to post photos that in shape the competition’s four categories: Urban working day, Urban night time, Countryside, and Christmas. All entries to #ShotOnMyDrone experienced to comply with the CAA’s Drone and Design Plane Code in buy to be regarded as. This legislation and advice addresses flight basic safety relevance and legalities these kinds of as how to sign up as a drone operator and get a British isles drone Flyer ID.
Photographer Andy Wells was topped as the over-all winner for the opposition, originally profitable the Urban night category, with his impression (higher than) of a roundabout in Poole that has been illuminated with liveliness by the surrounding cars, structures and colored lights that can be noticed in the graphic. Wells will receive a DJI Mavic Air 2 drone as a first spot prize award.
Best Countryside shot was awarded to Glen Cairns, whose Harry Potter-esque image (above) of the railway viaduct on the West Highland Line in Glenfinnan, Scotland, captures the area’s normal greenery and splendor. The image, as properly as all other profitable images from the level of competition, have been captured from 400ft (120m) or underneath, the Dronecode restrict at which drones can be flown in the United kingdom.
Judged by a panel of industry experts including photographer and CAA Chair, Sir Stephen Hillier, award-winning specialist photographer, drone pilot and photography tutor Anna Henly, CAA drone inspector and BAFTA award winner John Livesey, and Tim Robinson, Editor of the Royal Aeronautical Society’s Aerospace magazine.
Photographer Andy Betts won the Urban day category (above) for his picture showcasing a rainbow of lorries, vibrantly captured in Kent. The winning photographs from #ShotOnMyDrone will be exhibited on display at the prestigious London headquarters of the Royal Aeronautical Society, with a range of pictures showcased in the Society’s Aerospace magazine.
For the Christmas category, photographer Steve Banner snatched the award with his shot (beneath) of the town Minor Haywood, Staffordshire, captured in December and coated by snow, reminiscing viewers and judges back again to the joys of the festive period.
A individual award was preferred by the UK’s primary air website traffic manage supplier, NATS, just after polling its colleagues to make a decision on their favorite graphic. Profitable this additional award was Matt Hoyland with a stunning photograph of the Menai Strait in North Wales, that will be shown at one particular of their crucial centres.
#ShotOnMyDrone followed the CAA’s preceding 400ft Britain drone pictures competitiveness, held in 2017, which gained in excess of 1,200 personal submissions from across the United kingdom. Photographer James Farley’s successful picture from the competitors featured a lighthouse at Place of Ayr in North Wales.
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